Skip to main content

Pushy Elevator Writers!

Image
By


This video speaks for itself. As agents, we've ALL experienced this. I once had a writer slip me an ms under the bathroom stall door.

WE Chief Editor


Labels:

Comments

  1. Unknown12:34 PM

    Comical, but telling. One of the mistakes I used to make was describing something I was working on by talking in vague, general circles without giving any real information about the novel. One of the women in this video demonstrates one of my key shortcomings. I groaned when I listened to her, as I am sure others have done when listening to me. I have learned that a concise well-spoken or written synopsis of the work in progress is essential when pitching a story. Or pitching anything, for that matter.

    ReplyDelete
  2. Unknown2:32 PM

    I liked the film. All of them helped me realize the things to avoid and exactly how much work I have to do before I'm "pitch perfect" considering I've never pitched my story to an agent or anyone.

    Thanks again Michael :)

    ReplyDelete
  3. Unknown9:50 AM

    No, I appreciate when anyone bothers to put any thought into my work. The only critics I mind are those who want the author to change details that offend the critic's personal beliefs. One example would be a critic who wanted me to take firearms out of a novel that contained a number of characters who were soldiers; she disliked reading about people carrying guns. No story is going to please everyone. It's foolish for a writer to make that his or her goal.

    ReplyDelete
    Replies
    1. Michael Neff12:14 PM

      There is a lot of stupid advice out there, but that is why we always use models and examples of great writing and plotting. Our intent is to provide the correct advice.

      Delete
  4. Unknown7:20 PM

    Since my memoir was published, six authors have asked me to review and post a "blurb."
    I simply couldn't on five of them. Their work was far from ready. it's tricky to be tactful so you don't crush their heart. But I couldn't have my name on such incomplete work. So what I'm saying is that I appreciate intelligent, experienced and skilled critique for my work. Yes, it crushes at times, but that's what cut and paste is for. Just move it to a folder for another book!

    ReplyDelete
  5. Unknown3:41 PM

    That last 5 seconds of the video.... hahahahahaha! my eyes are watering. thank you so much for all the information on this page and elsewhere.

    ReplyDelete

Post a Comment

Worthy WE Wisdom

What Makes a Good Memoir?

By
By Paula Margulies As a publicist, I'm sent books of all genres by authors interested in my services, but lately I seem to be on the receiving end of a lot of memoirs. I've also spoken to a higher-than-usual number of memoir writers, who either telephone or approach me with questions at writer's conferences. The bulk of these conversations have to do with why their memoirs aren’t selling and what the authors can do to make them better. My first suggestion for all memoir writers is to take a look at their market and identify the different types of people who would want to read their book. This is tricky, for while many memoir writers have done a good job of detailing certain aspects of their personal history, a number of them have not thought about who might be interested in reading what they've written. A lot of memoirs I've seen recently are nothing more than personal recountings of an individual’s experiences – some of which are, indeed, memorable. But I
2 comments
Read more

"Top Ten Worst Pieces of Writing Advice" (and it gets worse)

By
OUTSIDE OF NARCISSISM, IMPATIENCE AND BAD ADVICE ARE A WRITER'S WORST ENEMIES . If you ever attend writer events, you will never cease to hear utterances of bad writing advice, the popular kind that circulate like  ruinous viral memes through the nervous systems of America's aborning novel writers. And each time you are exposed, you either chuckle or swear, depending on your mood and the circumstance. You might make a daring attempt to kill the meme in its tracks before it can infect someone else, or you might just stare at the writer with a dumbfounded look and ask, "Where the hell did you hear that?" Yes, the primal question: WHERE THE HELL DID YOU HEAR THAT? Inevitably, many will point to their writer's group . Ahhhh, of course , you think. Why just recently at an Algonkian event , one of my faculty (a former senior editor at Random House) and I were faced with an individual who adamantly asserted to us both that using only one point of view to write a n
28 comments
Read more

The Six Act Two-Goal Novel

By
What makes for good drama is a constant. To begin, we combine Siegal's "nine act structure - two goal" screenplay (very much like the Syd Field three act except that the "reversal" from Field's structure joins "Act 5" in Siegal's version) with the Field classic three act. The Two-Goal Structure, Siegal maintains, creates more dynamic plot tension due to the insertion of PLOT REVERSAL later in the story. We concur.  NOTE:  "Plot Point" is defined here as a major occurrence that emphatically changes the course of the story. In the genre novel as a whole, we see three to five major plot points depending on various factors: a first PP that begins the rising action, second PP defined by the first major reversal, a third PP defined by a possible second major reversal, a climax PP, and a theoretical PP residing in the denouement, i.e., we think the story is going to resolve a certain way after climax, but a surprise happens that resolves
Post a Comment
Read more

Top Seven Reasons Aspiring Authors Fail to Publish

By
At a conservative estimate, upwards of 250,000 writers in the U.S. are currently struggling to write or find an agent for their first commercial novel or memoir. If you understand this business, you also know why an enormous percentage are unable to make it happen. Below are my top seven reasons why otherwise passionate writers will join the 99.9% never to become commercially published (btw, to read other valid perspectives on this, click on the " novel rejection reasons " label on the right). 1. NEOPHYTE SKILL SET AND A FAILURE TO COMPREHEND THE PROBLEM   In the case of the writer's prose narrative, it just does not display the kind of energy, cinema, creativity, and polish necessary to convince a gatekeeper professional to go deeper. The first line falls with a thud, and the graph dips from there into a pond of blah. This circumstance is perhaps the number one cause of quick rejection. Usually, the writer in question is sufficiently new to the game, not aware,
5 comments
Read more