Novel Writing on Edge - Development Notes From Algonkian Writer Conferences

  Revision is Emotional “Revision! Whatever that is.”  And thus Gotham’s own Arlaina Tibensky kicked off our Fiction Writing Conference a couple of weeks ago, with a panel on strategies for revising. Which was perfect, because by asking, “What even is this?” Arlaina freed the other writers in the room to come back with an unexpected answer.  Revision is… emotional.  “The first thing is accepting that even though you’ve been working on your book, and you think you’ve finished it, it’s really not your book yet,” said Kate Fagan, sportswriter and author of the novel The Three Lives of Cate Kay . “You’ve got to mourn that.” When she first sends a book to her editor, Fagan—who has also published two nonfiction books and is working on her next novel—indulges the fantasy that the draft is perfect, or nearly so. When her editor instead responds with notes, Fagan takes two days to mourn, “the loss that I didn’t deliver the perfect bo...

Antagonists are quite often the most memorable characters in literature, regardless of genre. Without them many of the best selling novels of all time would simply cease to exist, their supporting beams cut away, the shell of remaining "story" quietly imploding to ignominy and self-publication. Consider the impact on a scene, any scene, as soon as the author moves the chess piece of antagonist onto the page. The mere presence of a Javert from "Les Misérables," Assef from "The Kite Runner," or Nurse Ratched from "One Flew Over the Cuckoo's Nest," immediately energizes the environment. The narrative and dialogue literally crackle and groan with antagonist. What chances do you as a writer have of getting your novel manuscript commercially published,  regardless of genre,  if the story and narrative fail to meet reader demands for sufficient suspense, character concern, and conflict? Answer: none. But what major factor accounts for this d...

As you explore the nooks and literary crannies here, you'll find considerable words devoted to warning you away from foolish and terrible advice.  But what about professional, tested, and proven advice? Below are ten bullet points for aspiring authors designed to help them overcome any confusion or misdirection when it comes to starting the novel. However, before you investigate, make certain you've already prepared by reading this sensible prologue . Note: the list below makes a base assumption that the writer is a relative novice and currently searching for direction and focus--the same stage every one of us passes through. For those in the second stage, or higher, the list might well begin further down. Nonetheless, we cannot stress enough how important it is to fully understand your genre. Eat and breathe it. Know the currents in the market, what makes for a "high concept" story in this context. You'll never be published otherwise. KEY CONCEPTS : genre, ...

By Christine Stewart Many years ago, I took a workshop called Writing the Ideal Heroine , which was taught by Rebecca Smith, a novelist, a former writer-in-residence at the Jane Austen House Museum (Chawton Cottage), and the great, great, great, great, great niece of Jane Austen. Pretty good credentials in my opinion. There's another tip - if you can find a writing workshop wherever you're going, take it! How cool was it to sit in her garden doing writing exercises? It's harder to write a sympathetic female lead character than a male one, I think. Sorry if that sounds like a double standard, but in my experience as a reader and writer, it's true. Most have certain expectations of female characters related to emotions, actions, desires. Whether you meet these expectations or subvert them and how you do so, will affect whether or not your readers (especially women, who often identify with the female character) like them or hate their guts and throw your book in the ...